ACQUISITION.
RED 5K RAW & CANON CLOG, YOU WANT IT, WE HAVE IT.
RED Scarlet-W & Canon C300 MKii - CIDmedia Cameras
The Red Scarlet-W can shoot anything from RAW 5K at 60 frames a second to 2K at 300 frames a second. Plus the massive dynamic range of the Red Dragon sensor produces a cinema-quality image rich with natural color every time.

Our Canon C300 Mark II is the workhorse, give it a job, low light, bright light, both at the same time, doesn’t matter, this camera is pulling off the shot with it’s amazing dual-pixel auto-focus facial tracking this beast practically lives on our DJI Ronin gimbal.

If you use CIDmedia and have a preference, just ask, and we’ll make it happen.
LIGHTING.
THE MOST IMPORTANT EQUIPMENT KNOWN TO PRODUCTION.
We love our cameras, but true beauty in shooting
comes from exceptional lighting. And we have the lights! We’re talking eight 1000 watt LED lights and
six 500 watt LED lights.
Sounds like a power cable nightmare right?
Well not with CIDmedia, we have battery powered lights. Yep, no cables. We are able to quickly move lights around during a shoot with no problem.
This may sound like a no brainer, but look into it further, we are the only production company in Nevada offering battery powered lighting. Trust us you’ll love it!
TOYS...ERR TOOLS.
SHH! DON’T TELL LAURA, BUT THEY ARE TOYS THAT MAKE GREAT TOOLS.
There’s one thing you’ll know after working with us and that is, we have a ton of equpiment! Here’s a list of tools available when you work with us.
· Freefly ALTA6 Multirotor
· DJI Inspire 1 RAW Quadcopter
· DJI Ronin Steadicam
· Zihyun-Tech Crane (Gimbal)
· DJI Osmo
· Camera Slider
· 15’ Jib
· Portable Green Screen Cove
· Boom Mic with Wind Screen
· Sennheiser Wireless Mics
· Portable Teleprompter
· Motion Timelapse
THE STUDIO
OUR SECOND HOME WITH A BIG GREEN WALL
Our office is weather man ready, we’re just missing the weather man. Seriously though, we do have a big green wall just dying to be used for your next chroma key project.

We also have three 4K edit suites with
plenty of room to stretch. Cramped edit
bays are the worst, that’s why we built
ours in large 13‘ x 8’ rooms.